裾 (suso)
(trouser) cuff, (skirt) hem, cut edge of a hairdo, foot of mountain
- JLPT N1
- Pitch 0
- #15420 most frequent
Meaning
裾 (すそ, suso) is a JLPT N1 vocabulary word meaning “(trouser) cuff, (skirt) hem, cut edge of a hairdo, foot of mountain”.
Example sentences 12
パンツの 裾に 泥がはねた
Mud splashed onto the hem of my pants.
裾を長く引く。
It has a long train.
カレンの 裾が 捲れている。
Karen's skirt is riding up.
裾から 風がはひるやうな 気がする。
I feel somewhat uneasy when I sit on a chair with Japanese clothes. I feel like the wind is blowing in from the cuff of my trousers.
裾から 風がはいるような 気がする。
I feel somewhat uneasy when I sit on a chair with Japanese clothes. I feel like the wind is blowing in from the cuff of my trousers.
和服を 着て 椅子に 腰をかけると、 何となく 心細い。
風で裾がまくれた. The wind blew my skirt up.後身頃の裾を長く仕立てている(続裾)。
The hem of its back part is made long, and is called tsuzukikyo (long hem).
いろんな使用状態において、裾の短い服類・タオル類・裾の長い服類などの各種の干し物を、余分に多く干せるようにする。
To dry an extra number of various clothes to be dried including short-skirt wears, towels, long-skirt wears, etc., in various applications.
雨具ズボン1の上から流れてくる雨水が靴4の中に入らないようにすると共に雨具ズボン1の裾1aが泥等で汚れないようにする。
To provide a pair of rainwear trousers 1 intended for preventing rain water flowing from above the trousers 1 from going in shoes 4 and preventing the bottoms 1a of the trousers 1 from getting dirty by mud.
竹雀」の由来は、お三輪が官女(いじめの官女)たちに、求女に会いたければ「竹に雀の」馬子歌を歌えと言われ、右肌を脱ぎ左の裾を端折り、手拭いの鉢巻に糸を巻くおだまきを持って踊ることに由来する。
The scene of 'Takesu' (literally means 'Sparrow and Bamboo') is so called because Omiwa is told by court ladies (who bully her) to sing Mago-uta (a kind of folk song sung by packhorse drivers) of 'Take ni Suzume no' (Sparrow and Bamboo) to be allowed to see Motome, and she dances with her right shoulder bared, the bottom left of her clothes folded, a cloth headband on her head, and a spool in her hands.
歌留多," "加留多," "嘉留太," or "骨牌") is a kind of a Japanese game using picture cards.阿波踊りの女踊りでは一般の浴衣や上記の舞踊と異なり、襦袢、裾除け、手甲を付け、黒繻子の半幅帯を歌留多結びに結ぶ場合が多い(黒の名古屋帯の場合もある)。
Unlike the case of yukata or the above dancing, female dancers of Awa-odori dancing festival put on juban (undershirt for kimono), susoyoke (half-slip) and tekko (covering for the back of the hand and wrist) and tie a hanhaba obi made of black satin in karuta-musubi knot (a black Nagoya obi is also used).
十訓抄』7-27には、若い頃の清盛について「人がとんでもない不都合な振る舞いをしても、冗談と思うことにした」「やったことがちっともおかしくなくても、相手への労わりとしてにこやかに笑い、とんでもない誤りをしても、役立たずと声を荒げることはない」「冬の寒い時に身辺に奉仕する幼い従者を自分の衣の裾の方に寝かせ、彼らが朝寝坊をしていたらそっと床から抜け出して存分に寝かせてやった」「最下層の召使いでも、彼の家族や知り合いの見ている前では一人前の人物として扱ったので、その者は大変な面目と感じて心から喜んだ」という逸話が記されている。
In "Jukkinsho" Section 7-27, the young Kiyomori was described as a person who 'thought it was a joke if someone did something quite unreasonable,' 'gently smiled to be kind to someone who did something that was not funny at all, and also never raised his voice to scorn someone as being useless even when that person had made a terrible mistake', 'let young attendants who served him during a cold winter sleep at the bottom of his clothes and let them sleep well if they overslept, by quietly getting out of the bed,' and 'respected a servant of the lowest rank as a person in front of the servant's family or acquaintances, and that servant was truly pleased as it was a great honor.'